Lone Star Runner Hunnies
Fleeing a drug deal gone wrong, four girls held up in a lonely Texas diner face the dilemma of capture vs saving a mortally wounded friend.
Roadside diners make great locations – for almost any genre you can mention. Comedy. Romance. Horror. And crime dramas are no exception. (Pulp Fiction and Reservoir Dogs, anyone?) But you need a talented writer to populate such a setting properly. With fresh, interesting characters.
Fortunately, Lone Star Runner Hunnies has a surplus. Enter Ameena, KJ and Scotty.
As the script opens, the girls burst into a rundown café, agitated and out of their depth. They’re clearly running away… from something or someone. Scotty and Ameena dash immediately towards the back, ignoring startled clientele. They’re heading towards the restrooms. And for whatever reason, it’s urgent. (Get your minds out of the gutter, folks. This is a crime script – not comedy.)
KJ plops down at the nearest table. She’s quickly approached by the cook, a down-home type named Jake. Though concerned, Jake does his best not to pry. He takes KJ’s order. She grills poor Jake about the soup. And uses the menu to hide her tears.
Meanwhile, in the bathroom – things are getting urgent. Ameena cleans up the blood as best she can, hands Scotty a syringe…
…and joins KJ outside, whispering across the table. What are they gonna do next? And is Scotty even gonna survive?
Which is when an unexpected visitor appears at the door. Throwing the mother of all spanners in the works…
What makes a good crime story great? Well, just like diner food – there are a few essential ingredients. Interesting personalities. Rich visuals. A ticking clock of some kind. Not to mention mystery.
An expert of this genre, writer CJ Walley breathes fiery life into his characters – and leaves plenty of questions between the lines. What happened before the diner? We never fully know. But we (and Scotty) are dying to find out. With Lone Star Runner Hunnies, Wally’s recipe is complete. Resulting in an expertly executed narrative that (unlike Scotty) deserves to be shot.
Budget: Relatively small – rent a diner and that’s it.
About the reviewer: Anthony Cawood is an award winning screenwriter from the UK with 4 short films produced and a bunch of other scripts optioned and/or purchased.
Links to his films and details of his scripts can be found at http://www.anthonycawood.co.uk.
About the writer, C.J. Walley: I began writing in 2012 and I’m pleased to say it’s been very exciting so far. I have been fortunate enough to have a short produced by a director in London and Amazon Studios have spotlighted one of my features as a notable project. My scripts place within the top 10% of various major screenwriting competitions and, as I continue to write new specs, I am remotely collaborating with a producers, directors, and actors in LA, NYC, New Orleans, Atlanta, Washington DC, Zurich, Amsterdam, Sydney, and Dallas while occasionally blogging for Stage 32. If you’re an aspiring filmmaker, then I’d love to join forces with you whatever the scale, do not hesitate to reach out and drop me a line. (CJ “AT” CJwalley DOT COM; http://www.cjwalley.com
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