Incident on I-95 – Short Script Review (Available for Production)

Incident on I-95

The arrival of an ominous stranger shatters the serenity of an idyllic American town.

It’s often thought Utopian societies are the way to go. In a time where the O-zone is depleted, terrorists could be living in the apartment below you, and there’s something scary on the news every day – it’s nice to imagine a world where peace, health, and tranquility reign.

One day – humanity dreams – the perfect world will exist. But is that truly possible? After all, one of the greatest contributors to Chaos is the nature of humanity itself. Humans – no matter how peaceful, clean, and healthy their environment – are at heart wild animals ready to strike. Especially when confronted with something they deem threatening.

The soul of Utopian SF is dark satire. And Fred Perry’s Incident on I-95’s got that. In spades.

Picture if you will: a man disembarks from a bus. A stranger out for an innocent walk, and on snowy peaceful night…

As Incident heads towards its crescendo, the man strolls casually through lanes and alleyways. Taking in the serenity of a small, perfect town. But his wanderings are about to take a turn for the worse – into the hands of a bloodthirsty, angry mob. As to what triggers the violence? Read the script. Because this is one satisfying twist you’ll never guess…

A simplistic story wrapped in rich, deep visuals, Incident on I-95 is a joy to read. All the way from its soothing beginnings, to the thought provoking climatic end!

About the writer, Fred Perry: Fred Perry has worked as a screenwriter in Europe, Mexico and the U.S., co-authoring six feature films for Omega Entertainment, Athens, Greece, as well as collaborating on multiple projects with Alfonso Arau (director of LIKE WATER FOR CHOCOLATE and A WALK IN THE CLOUDS).

Fred’s screenplays have won numerous awards. His dark comedy short, FIVE DAYS IN CALCUTTA, won the Grand Prize in the 2014 Palm Street Films Screenplay Competition (shorts category), 1st Place at the 2014 Richmond International Film Festival (comedy screenplay genre), 1st Place, 2013 Fresh Voices Screenplay Competition (shorts), the Grand Prize, 2014 American Movie Awards (shorts), 1st, 2013 DC Shorts Film Festival and Screenplay Competition, 1st, 82nd (2013) Annual Writer’s Digest Writing Competition (subsequently published), the Gold Prize in the 2013 Hollywood Screenplay Competition (shorts), and 1st in the 2012 PAGE International Screenplay Awards (shorts). The script will shoot this January, directed by Dawn Fields of Palm Street Films.

His feature sci-fi script, CROSSINGS won the Grand Jury Award for Best Feature Screenplay at the 2014 Richmond International Film Festival, 1st at the 2014 Omaha Film Festival, 1st in the 9th annual Filmmakers International Screenplay Competition, 1st in the 2013 Holiday Screenplay Competition, and was a semifinalist in the 2013 Academy Nicholl Fellowships.

He is a published playwright, his two-act, THE ASCENSION OF TWYLA POTTS, winning the 2013 London Film Festival (stage play category), and earning the Special Marquee Award at this year’s American Film Awards. Fred has also written and directed plays at the Colony Theatre in Los Angeles and the Carrollwood Players Theatre in Tampa Bay.

Pages: 5

Budget: Moderate. A quick shot of a bus, and small-town streets. Lots of extra for the crowd.

About the reviewer, Rod Thompson: I have been writing creatively since I learned how to write. There is just something about telling a story that I can never get over. Storytelling in itself is like an old flame that occasionally comes to me and just says, “Use me.” The ability to watch a movie through words, or to craft a world in such a manner is the closest to Godliness that man will ever come. True story. Contact Rod at RodThompson1980 “AT” gmail.com

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SCRIPTREVOLUTION.COM!

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

 

 

 

 

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Quorum – Short Script Review (Available for Production)

Quorum

A small town sheriff gets the drop on uninvited visitors from out of town – and Big Government’s meddling.

Big Government. Sticking its massive horns into State and Local County rights. It’s a real inflammatory issue these days, served up with a rainbow of different flavors. Religious displays. Gun ownership. Environmental and Social concerns, clashing against property rights. Topics such as these get folks all hot and bothered – regardless of which side of the issue one lands on. But one thing we can all agree. Watching David get the best of Goliath – that’s a mighty satisfying feeling. No matter what political pin shines on your lapel.

Take Jack Burns – County Sheriff of an unnamed locality, smack dab in the middle of USA Anywhere. As is normal in such small districts, Jack wears several hats. For instance, Chairperson of the County Board of Supervisors – an assembly just about to meet. And this time, they’ve got guests. Namely, Carl Welsh – EPA. And Randall Eckhard, attorney. The two have breezed in from out of town, to ensure certain laws get enforced. It’s quite a laundry list they hold in their hands. Local Farmer Reed, accused of draining ecologically delicate swamp land. Then there’s the removal of religious symbols from town property. The Cross – displayed up until recently in court. And then there’s that Navity Scene

Both are conspicuously absent when the Feds arrive. Sheriff Jack’s in full compliance… or is he? Or do the townsfolk have something up their sleeve? Something that’ll turn Big Government’s demands on its head. And Goliath to his knees?

Humorous and definitely controversial, Quorum is bound to get your audience chattering. It’s a satiric piece with all the right beats. Mr. Mark Twain would be very proud.

About the writer, Fred Perry: Fred Perry has worked as a screenwriter in Europe, Mexico and the U.S., co-authoring six feature films for Omega Entertainment, Athens, Greece, as well as collaborating on multiple projects with Alfonso Arau (director of LIKE WATER FOR CHOCOLATE and A WALK IN THE CLOUDS).

Fred’s screenplays have won numerous awards. His dark comedy short, FIVE DAYS IN CALCUTTA, won the Grand Prize in the 2014 Palm Street Films Screenplay Competition (shorts category), 1st Place at the 2014 Richmond International Film Festival (comedy screenplay genre), 1st Place, 2013 Fresh Voices Screenplay Competition (shorts), the Grand Prize, 2014 American Movie Awards (shorts), 1st, 2013 DC Shorts Film Festival and Screenplay Competition, 1st, 82nd (2013) Annual Writer’s Digest Writing Competition (subsequently published), the Gold Prize in the 2013 Hollywood Screenplay Competition (shorts), and 1st in the 2012 PAGE International Screenplay Awards (shorts). The script will shoot this January, directed by Dawn Fields of Palm Street Films.

His feature sci-fi script, CROSSINGS won the Grand Jury Award for Best Feature Screenplay at the 2014 Richmond International Film Festival, 1st at the 2014 Omaha Film Festival, 1st in the 9th annual Filmmakers International Screenplay Competition, 1st in the 2013 Holiday Screenplay Competition, and was a semifinalist in the 2013 Academy Nicholl Fellowships.

He is a published playwright, his two-act, THE ASCENSION OF TWYLA POTTS, winning the 2013 London Film Festival (stage play category), and earning the Special Marquee Award at this year’s American Film Awards. Fred has also written and directed plays at the Colony Theatre in Los Angeles and the Carrollwood Players Theatre in Tampa Bay.

Pages: 11

Budget: Very low. One small “courthouse” and you’re fine.

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SCRIPTREVOLUTION.COM!

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

 

 

 

Last Date – Short Script Review (Optioned!)

Last Date

A man and woman meet for a last date – both of them by proxy….

Ah, life’s endless agonies. Childbirth. Root canals. Ending a relationship. Because when it’s time to say “I want out”, does anyone really want to be there? Not the one being dumped. Humiliating. And the dumpee? Awwwwkkkkwardd….

We’ve all been there and done that, on both sides of the equation. And once you’ve been through the wringer several times, you don’t want to experience it again.

But what other choice does one have? Put a happy face on a ruinous relationship, sing “fifty ways to leave your lover” with harmony, or…

Pay someone ELSE to end it.

And in an opportunistic society, that scenario’s not out of the question. Because when money’s involved, there will always be someone to do your bidding. Even if the task is crushing the soul of a soured sweetheart.

But what happens when mercenaries collide?

That’s the scenario of Last Date. A chance encounter at a bar; not between ex-lovers ending a doomed relationship – but between two paid stand-ins. Meeting on behalf of “Bonnie” and “Will”, Matt and Emily are experienced masters at their jilting craft. Having researched the relationship’s history, Matt and Emily know just what to say… Everything from “It’s not you, it’s me”, to “I know about that office affair.” On behalf of their clients, Matt and Emily face off across the table – for confrontations and drinks. Both are consummate professionals… But can these actors truly separate themselves from the play?

Dryly humorous – and deceptively simple – Last Date is the perfect match for directors who groove on social commentary. A script that skewers society on multiple levels: the eternal battle between men and women… and a modern world where anything can be bought or sold. Including the pain of a Last Date.

About the writer: Richard Russell lives in North Carolina where he plays golf and writes.  He has been writing since college when his short stories appeared in the university literary magazine.  He loves writing screenplays, and THE CALL, written with his partner, Felice Bassuk, is one of their best.  They have written an award-winning feature, THE KOI KEEPER, which they hope to see on the screen in the not too distant future.  Richard has a trove of shorts and feature length screenplays and continues to add to the inventory.  Writing remains the sole source of sanity in Richard’s chaotic world.

Pages: 9

Budget: Very low budget. All that’s needed is a single diner or bar – and a few actors with good comedic timing.

About the reviewer: Michael O’Farrell is a mathematician who worked on the Space Shuttle Program and now writes fiction.

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM 

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved.

The screenplays may not be used without the expressed written permission of the author.